Grain and Groove presents OSTARA
Grain and Groove, Phoebe Rose design and Studio Rosalind present Ostara: an exploration of new beginnings, spring and natures cycles through the craft of woodwork, jewellery and brass art.
Why Ostara?
Ostara is a Pagan and Wiccan festival that celebrates the arrival of the Spring equinox; it is the welcoming of the shift from dark to light.
It is a time of rebirth and fertility and this can be seen in the symbols associated with the festivities. The hare, often a nocturnal and shy creature, can be seen from February to April behaving in an erratic manner in pursuit of a breeding partner. The tulip is one of the first flowers to bloom after winter, offering a much needed pop of colour to the landscape. The egg, hens traditionally slow down or stop production of eggs in the winter due to a lack of light and warmth thus when spring arrives they begin to produce once more.
Through our chosen crafts, we’ve found ourselves become more attentive to the natural world. Each piece we produce has taken into consideration the properties and sourcing of the material.
It has given us an insight into Mother Nature’s cycles and rhythms and allows us to remove the blanket of ignorance the modern world provides.
We have enjoyed learning about the stories and symbols that people have long used to make sense of the changing seasons.
Who is involved?
Phoebe Rose Hutcheson
A multidisciplinary artist with a practice centred around slow craft, history, folklore and nature. They graduated from Leith School of Art in 2015 and went on to run a successful shop named Dahlia situated in Marchmont, South Edinburgh. The shop stocked a selection of house plants, candles, local artists prints and other thoughtfully curated gifts; during this time Phoebe started to sell her own artworks within Dahlia.
They closed their doors after a successful five year period and Phoebe moved into the world of product design. They have since been fortunate to travel to India and Morocco where they experienced working first hand with artisans collaboratively designing block print patterns, embroidery designs and more.
Expect intricately crafted metal silhouettes of Ostara symbols- both framed and hanging ornaments.
Phoebe Rose Design- Copper Daffodil Decoration
Grain and Groove
Grain and Groove is a woodworking studio based near North Berwick, East Lothian, founded by three Chippendale School of Furniture graduates: Laura, Ben and Chlomo. They create bespoke furniture and wooden wares that are full of character and artistic expression. They are inspired by a shared love of folk art, mythology and the Shaker movement.
A defining element of their work is the use of original illustrations by Phoebe Rose design. Phoebe is entwined in the very fibres of Grain and Groove, with her fabulous brass and copper work often being sold from their market stalls.
Expect turned vessels, incense holders, inlayed shaker boxes, benches and coffee tables
Grain and groove- The copper orange matchbox
Studio Rosalind
Rosalind Sumner’s exquisite handcrafted jewellery is a study in miniature detail of flora and fauna, creating heirloom pieces in both gold and silver.
Expect intricate, heirloom quality designs full of character and warmth.
Studio Rosalind- Engraved Tiny Tulip
When and where is it on?
Ostara is on from the 1st of May to the 10th from 10am till dusk.
At Thomsons Tower nestled in Dr Neils Garden, Duddingston.
Our love affair with the Shakers
Over the Summer we had the privilege of learning the craft of traditional oval shaker boxes under the watchful eye of our mentor and friend Cliff at his home workshop in Edinburgh.
The Shakers, a religious sect founded in the 1700s are known for their celibacy, furniture making, equality of the sexes and communal living.
The Shaker box was initially created for everyday use; from storing dried goods in the pantry to housing haberdashery in the women’s workshops. Later the box often took on a more ornate style- beautifully crafted and incorporating satin, velvet and ribbon.
“The shakers often marketed their products as being of diligence and intelligence.”
- ‘The Shakers: A World in the Making’, Vitra Design Museum
We instantly fell in love with the magic of the Shaker box process; the boiling, bending, hammering delight of it all. We decided to use Maple and Cherry, the traditional timbers of choice for our first batch. After bending the strips of timber around a form, we hammered in copper nails shipped in from Michigan. These nails are made using 19th century equipment and designed specifically for the production of Shaker boxes.
Both lid and bottom of the Shaker box can be veneered, opening up all sorts of design possibilities. Being able to incorporate marquetry into a project gives us the opportunity to collaborate with Phoebe Rose (aka @Dahliasstories). Phoebe is entwined in the very fibres of Grain and Groove, with her fabulous brass and copper work often being sold from our market stalls. Phoebe, inspired by folk art, mythology and her work as a florist, has created a series of designs that sit on our oval boxes with intrigue and delight.
While we realised that Shaker boxes were going to be an important addition to the Grain and Groove homeware collection, we had no idea how deeply we would come to respect and admire a community founded in the 1700’s.
We spent last weekend at the Vitra Design Museum in Germany visiting their latest exhibition ‘The Shakers: A World in the Making’. It was a gorgeously curated selection of artefacts, showcasing the Shakers as so much more than just ‘celibate chair makers’.
‘‘At the same time, the so-called "Shaker style" often reduces their design philosophy to a marketable aesthetic that caters to postindustrial desires for a spiritually elevated, sustainable lifestyle. The exhibition The Shakers: A World in the Making aims to move beyond such simplifications, instead exploring the Shakers' entwined philosophies of community, craftsmanship, and religious belief. It challenges conventional narratives and incorporates new research on aspects of Shaker life particularly relevant to contemporary concerns, including topics such as gender roles, inclusion, and the colonial history of the United States.”
- ‘The Shakers: A World in the Making’, Vitra Design Museum
We were blown away by the Shaker community’s acceptance of people from all walks of life. The exhibition contained lovingly crafted cradles for both infants and elderly, orthopaedic shoes and wheelchairs. We were impressed by the level of care behind even the most functional of items.
“Shakers were committed to a degree of inclusion that was radical for their time period, caring for every individual as part of the greater whole regardless of race, gender, or ability.”
- ‘The Shakers: A World in the Making’, Vitra Design Museum
The Shakers’ way of life and their drive to produce objects with empathy and purpose remains more relevant than ever in today’s society. It’s a true honour to carry on the tradition of Shaker box making, helping to keep the craft alive, one box at a time.
Hugo Burge Foundation Open Studio
We noticed there seemed to be one very prominent and reoccurring conversation topic: The lack of Craft in the Public School Curriculum.
Located in the grounds of Marchmont House (Nr Greenlaw) is a growing creative epicentre filled with all sorts of wonderfully talented folk. Silversmiths, Writers, Illustrators, Chair Makers, Painters, Weavers, Sculptors… The list goes on and on.
We had the privilege of selling our wares in the Makers Market during their Open Studio event. We had our very own Marquee complete with hardwood floors and some very patient neighbours. Shout out to Jo (from Ginger and Teal) who put up with our nonsensical set up chatter.
We met so many lovely people over the course of the weekend and we have come away feeling inspired and thoughtful.
We noticed there seemed to be one very prominent and reoccurring conversation topic: The lack of Craft in the Public School Curriculum.
We are all acutely aware of just how important an education in craft is. We personally found whilst studying as adults at Chippendale International School of Furniture, a vast improvement with our fine motor skills, greater self esteem and a deeper connection to history, community and the environment. So we can only begin to imagine the benefits and potential for children if they were given access to an education in craft.
All schools should be Art schools 2016, Bob and Roberta Smith
We can see from the event this past weekend that 'The Hugo Burge Foundation’ is well on its way to helping improve the lives of many people, young and old from all walks of life.
We were so glad to be a part of the weekend and can’t wait to see what the future holds for the Foundation.